18 Apr - 30 Jun 2013
Chris Killip, Youth on Wall, Jarrow, Tyneside, 1976
Chris Killip, Boat repair, Skinningrove, North Yorkshire, 1983
Chris Killip, Boo and his rabbit, Lynemouth, 1983
Chris Killip, Rocker and Rosie going home, Lynemouth, 1984
Chris Killip, True Love Wall, Gateshead, 1976
Chris Killip, Helen and her hoola-hoop, Lynemouth, Northumberland, 1984
Chris Killip (b. 1946, UK) is nominated for his exhibition What Happened – Great Britain 1970 –1990 at LE BAL, Paris (12 May – 19 August 2012).
British born Killip has been taking photographs for nearly five decades. What Happened – Great Britain comprises black and white images of working people in the north of England, taken by Killip in the 1970s and 1980s. After spending months immersed in several communities, Killip documented the disintegration of the industrial past with a poetic and highly personal point of view.
Born in Douglas, Isle of Man in 1946, Chris Killip left school at sixteen and joined the only four star hotel on the Isle of Man as a trainee hotel manager. In June 1964 he decided to pursue photography full time and became a beach photographer in order to earn enough money to leave the Isle of Man. In October 1964 he was hired as the third assistant to the leading London advertising photographer Adrian Flowers. He then worked as a freelance assistant for various photographers in London from 1966-1969.
In 1969, after seeing his very first exhibition of photography at the Museum of Modern Art in New York, he decided to return to photograph in the Isle of Man. He worked in his father's pub at night returning to London on occasion to print his work. On a return visit to the USA in 1971, Lee Witkin, the New York gallery owner, commissioned a limited edition portfolio of the Isle of Man work, paying for it in advance so that Killip could continue to photograph. In 1972 he received a commission from the Arts Council of Great Britain to photograph Huddersfield and Bury St Edmunds for the exhibition Two Views - Two Cities. In 1975, he moved to live in Newcastle-upon-Tyne on a two-year fellowship as the Northern Arts Photography Fellow.
He was a founding member, exhibition curator, and advisor of Side Gallery, Newcastle-upon-Tyne, as well as its director from 1977-1979. He continued to live in Newcastle and photographed throughout the north east of England, and from 1980-1985 made occasional cover portraits for The London Review of Books. In 1989 he was commissioned by Pirelli UK to photograph the workforce at their tyre factory in Burton-on-Trent. In 1989 he received the Henri Cartier Bresson Award and in 1991 was invited to be a Visiting Lecturer at the Department of Visual and Environmental Studies, Harvard University. In 1994 he was made a tenured professor and was department chair from 1994-1998. He continues to live in the USA, teaching at Harvard University.
His work is featured in the permanent collections of major institutions such as the Museum of Modern Art, New York; George Eastman House; Fine Arts Museum of San Francisco; Museum Folkwang, Essen; the Stedelijk Museum, Amsterdam; National Gallery of Australia, Canberra; and the Victoria and Albert Museum, London.
Watch a video interview with Chris Killip.
Download Teachers' Exhibition notes