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Edward Steichen

Edward Steichen

In High Fashion, The Condé Nast Years 1923 - 1937

31 Oct 14 - 18 Jan 15

 Edward Steichen. Actress Gloria Swanson, 1924 (Vanity Fair, February 1, 1924)

Edward Steichen. Actress Gloria Swanson, 1924 (Vanity Fair, February 1, 1924)

Edward Steichen. Actress Gloria Swanson, 1924 (Vanity Fair, February 1, 1924) The Sylvio Perlstein Collection

 “Black”: Model Margaret Horan in a black dress by Jay-Thorpe, 1935 (Vogue, November

“Black”: Model Margaret Horan in a black dress by Jay-Thorpe, 1935 (Vogue, November

“Black”: Model Margaret Horan in a black dress by Jay-Thorpe, 1935 (Vogue, November 1, 1935)

 Edward Steichen Self-portrait with Photographic Paraphernalia, 1929, (Vanity Fair, October 1, 1929)

Edward Steichen Self-portrait with Photographic Paraphernalia, 1929, (Vanity Fair, October 1, 1929)

Edward Steichen Self-portrait with Photographic Paraphernalia, 1929, (Vanity Fair, October 1, 1929)

 Edward Steichen Actress Mary Heberden, 1935 (Vogue, March 15, 1935)

Edward Steichen Actress Mary Heberden, 1935 (Vogue, March 15, 1935)

Edward Steichen Actress Mary Heberden, 1935 (Vogue, March 15, 1935)

 Edward Steichen Actress Anna May Wong, 1930 (Vanity

Edward Steichen Actress Anna May Wong, 1930 (Vanity

Edward Steichen Actress Anna May Wong, 1930 (Vanity Fair, 1 September, 1931)

 Edward Steichen Model Mario Morehouse and unidentified model wearing dresses by Vionnet, 1930 (Vogue

Edward Steichen Model Mario Morehouse and unidentified model wearing dresses by Vionnet, 1930 (Vogue

Edward Steichen Model Mario Morehouse and unidentified model wearing dresses by Vionnet, 1930 (Vogue, October 27, 1930)

INFO

Edward Steichen devised a mode of portraiture that still sets the template for style magazines today.                                                         The Guardian
 
Blurring the boundary between fashion photography and art…it’s photography as theatre…visionary.
***** City A.M


This is the UK premiere of Edward Steichen: In High Fashion, The Condé Nast Years 1923-1937 which includes over 200 vintage prints, many on public display for the first time since the 1930s.

Watch our video interview with co-curator William A. Ewing.

Brought together especially for this exhibition, they mark the period when Steichen was working for Condé Nast on its two most prestigious publications, Vogue and Vanity Fair.  The exhibition offers a rare opportunity, not just to witness a key period in history, but also to gain insight into Steichen’s distinctive approach towards portraiture and fashion photography. 

Steichen was already an internationally celebrated painter and photographer when in 1923 he was offered the lucrative and high profile position of chief photographer at Condé Nast.  During his tenure, Steichen was said to have been the best known and highest paid photographer in the world and is universally credited with being the father of modern fashion photography

For the next fifteen years Steichen would take full advantage of the resources and prestige conferred by his role to produce an oeuvre of unequalled brilliance. He put his exceptional talents to work defining the culture of his time, photographing iconic figures in politics, literature, journalism, dance, theatre and above all, the world of haute-couture fashion.

In High Fashion presents rare photographs of designs from Chanel, Lanvin, Lelong, Patou and Schiaparelli alongside a series of stunning portraits. These include luminaries such as Greta Garbo, Winston Churchill, Marlene Dietrich, George Gershwin, Frank Lloyd Wright, W.B. Yeats and Fred Astaire.  Steichen treated his subjects (be they prominent public figures, models or clothes) as vehicles through which to explore shape, form, texture, light and shade.

His influence and legacy is evident across the spectrum of photography. Horst P. Horst, Richard Avedon and Bruce Weber are just a few of his most illustrious descendents and his work continues to influence photographers across the globe, including celebrated fashion photographer Viviane Sassen, who is also exhibiting at the Gallery this season.

Edward Steichen: In High Fashion, The Condé Nast Years 1923-1937 is curated by William A. Ewing, Todd Brandow and Nathalie Herschdorfer and originated by The Foundation for the Exhibition of Photography, Minneapolis.

The exhibition has previously toured in North America, Australia, Asia and Europe. 

A fully illustrated catalogue is available in our Bookshop.

Read an essay on our BLOG about Steichen's abiding influence by co-curator William A. Ewing or download as a pdf.

 

ADMISSION to Edward Steichen & Viviane Sassen

£4.50 (£3.50 Concession)
Free Admission Mon – Fri, 10.00 – 12.00
Free for Members

All images: The Sylvio Perlstein Collection, Courtesy of Condé Nast Archive, Condé Nast Publications, Inc, New York/ Paul Hawryluk, Dawn Lucas and Rachael Smalley

 

Edward Steichen

Foundation for the Exhibiiton of Photography

Foundation for the Exhibiiton of Photography


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