Touchstone online

Touchstone is a display featuring a single photograph. Visitors are invited to respond to the photograph, through writing and drawing. This programme links with The Photographers' Gallery's wider educational emphasis on visual literacy. 

Maxime Matthys - 2091: The Ministry of Privacy, 2019

The Ministry of Privacy. © Maxime Matthys, 2019 The Ministry of Privacy. © Maxime Matthys, 2019

What Do You See?

Files must be less than 1 MB.
Allowed file types: gif jpg jpeg png pdf.

Please note: by submitting this form, you are consenting to your response being featured online or archived within the context of the Touchstone programme. In submitting any images or words, you agree that you hold the rights for the photo or words written, and that any identifiable individuals within photographs submitted have given their permission or, for children 18 and under, and vulnerable people, permission from a parent/carer has been obtained. The Photographers’ Gallery bears no responsibility for presenting/sharing any image or words. Your personal data will be managed respectfully and responsibly, in accordance with our privacy policy.
 

About 2091: The Ministry of Privacy

"The series 2091: The Ministry of Privacy is exploring the mechanism of facial recognition technologies used by China to monitor and oppress minorities in Xinjiang. To do so, I developed a facial recognition software with the help of an IT engineer, which I used while photographing the daily life of the inhabitants in Xinjiang. Once shot, I uploaded the pictures in the software, which recognized and drew the respective biometric facial informations directly on the faces of the people appearing on the original photographs, allowing us to see how facial recognition works and is used as a tool of oppression by the government. The society of control depicted in Orwell’s dystopia 1984 is indeed slowly becoming a reality, not only in authoritarian countries such as China, but also in the 'democratic countries'. Here in France, for example, the government has increased spending on drones to watch over the citizen during the current health crisis…"

Biography

Maxime Matthys is a visual artist working and living between Rennes and Paris. He is developing an artistic practice using mainly photography, performance, videography and installation. His work focuses on the way technologies are affecting our daily life and are shifting our perception of reality. While exploring new forms of narrative, he keeps documenting the important issues that are shaping our future.

View the archive

You can see how others have responded to past and current Touchstone displays here