TPG Takeovers

Supported by MPB

Every weekend we hand over our Instagram grid (@thephotographersgallery) to a different photographer or practitioner as part of our TPG Takeovers programme. Platforming a range of unique bodies of work and perspectives from around the world gives photographers a chance to share the fundamentals of their creative practice, to expand upon current conversations in photography and showcase work or projects which align with what’s on at the Gallery now.

Each month we look back and re-share highlights from our takeovers. To see all the latest takeovers follow us at @thephotographersgallery

TPG Takeovers are supported by MPB (@mpbcom), the world’s largest global platform for used camera gear.

Current #TPGTakeover Artists

In May 2025 we featured:

Alma Haser is a photographic artist using analogue processes such as paper-folding techniques, collage and mixed media to create layers of intrigue around my subjects. Her process often involves manipulating her photographs into paper sculptures to blur the distinctions between two-dimensional and three-dimensional imagery. ⁠The Print Sales Gallery have been representing Alma for over a decade now.⁠

Yasuhiko Iida is a Japanese street photographer and skateboarder based in London. ⁠Yasuhiko has published three photo zines: Transit (2021), Sleepyhead At The Roundabout (2023), and forthcoming, Thousand Fold (2025) which he launched at the gallery last month. ⁠With an eye for poetic moments of stillness amongst the chaotic backdrop of city life, Iida’s new zine is an intimate, unvarnished portrait of skate culture, selfhood, nature, nightlife, love and friendship set across London, Tokyo and New York. ⁠

Mehaira Abdelhamid is a photographer and aspiring creative director based in London. Mehaira focuses on blending fashion and art to create stories that highlight underrepresented cultures and identities through her lens as a young, black hijabi woman. Her work aims to provide a more diverse and multifaceted view of traditional art, moving beyond conventional interpretations.⁠