Atwood’s Too Much Time stems from a ten-year investigation during which she accompanied incarcerated women in forty prisons across nine countries in the 1990s. Through research and empathy, Atwood documented the lived realities of female inmates: limited access to hygienic facilities, a lack of gynaecological and mental health care, and stark inequalities compared to their male counterparts.
The intimacy of her black-and-white images is rooted in long-term commitment and unwavering advocacy for women in prison – a cause she continues to champion today. Since its original publication, Atwood’s message has only become more urgent. Globally, the female prison population has grown by 50-60% since 2000. Driven by a deep commitment to social justice and a desire to expose systems of exclusion, Atwood brings visibility to lives and stories many choose to ignore.
More about Jane Evelyn Atwood
Jane Evelyn Atwood was born in New York and has been living in France since 1971. Her work translates the profound intimacy she establishes with her subjects over long periods of time. Fascinated by people and by the idea of exclusion, she manages to penetrate worlds that most of us ignore or choose to ignore. She is the author of fifteen books, including a monograph in the prestigious Photo Poche collection, and Too Much Time, Women in Prison. Her other books include Rue des Lombards, her first story on sex-workers in Paris; Pigalle People, about the trans community of a red-light district in Paris; and DARYA, about a Ukrainian woman who cares for the elderly in Italy, and, most recently, HORSES. She has won many prestigious international awards including the first W. Eugene Smith Award, Leica's Oskar Barnack Award, an Alfred Eisenstadt Prize and the Ernst Haas Award. In 2022 she was made Officier des Arts et des Lettres in France. Her work has been exhibited internationally and is in many private and public collections. Jane Evelyn Atwood is represented by the gallery, In Camera.