Sarah Cook is a curator, researcher, writer, and professor in Museum Studies in Information Studies at the University of Glasgow. She holds the WASP-HS guest professorship in Art and AI with UmArts, Bildmuseet and the School of Architecture at Umeå University. She has curated and co-curated over fifty international exhibitions most featuring new art commissions about how we live in a technological world.

Dennis Delgado’s work examines the forms through which ideologies of colonialism persist and re-inscribe themselves, revealing a historical presence in the current moment. He is interested in how technologies of vision reproduce the scopic regimes of expansionism and neo-liberal governance. Dennis Delgado received a BA in Film Studies from the University of Rochester as well as an MFA in Sculpture from the City College of New York. His work has been exhibited at the Bronx Museum of the Arts, the Schomburg Center for Research in Black Culture, UC Irvine, UT Austin, Palo Alto Center for the Arts, El Museo del Barrio, and at the Cooper Union. 

Zeno Gries has an open-ended approach to artistic work, deliberately relinquishing control over certain aspects of the creative process. This methodology often leads them to collaborate with scholars, actors, nonhumans, and other artists from various disciplines. Zeno Gries utilizes a diverse and ever-evolving range of new media, with a primary focus on film, video, and software. Recent fellowships and grants include the talent film development scholarship by the Kuratorium junger deutscher Film, a residency at UmArts, Umeå, Sweden, and a scholarship as Styria-Artist-in-Residence in Graz, Austria.

Charlotte Kent is an arts writer and Associate Professor of Visual Culture at Montclair State University. She specializes in twentieth- and twenty-first-century art, digital culture, and emergent technologies. She is the co-author and co-editor of multiple books, a regular contributor to magazines and journals, and an Editor-at-Large for the Brooklyn Rail, where she writes a monthly column on Art & Technology. She serves on the College Art Association’s Committee for Intellectual Property.

Alasdair Milne is a researcher in the philosophy of technology, with a focus on machine learning R&D and its cultural implications. He completed his Ph.D. with Serpentine Galleries and King’s College London in 2025, where he is part of the Creative AI Lab. He is a Postdoctoral Research Associate in Information Studies at the University of Glasgow and a Researcher at Antikythera.

Florian Model explores emergent behavior and the double bind between the individual and society. Working through the notion of play, he simulates complex systems with AI and participatory social experiments, drawing on sociology, economics, and technology. Past fellowships and grants include a residency at Cité Internationale des Arts, Paris, France; the Goethe-Institut residency in Rijeka; a fellowship at Akademie Schloss Solitude; and a production grant from Stiftung Kunstfonds, Germany, which he used to pay three workers to do nothing for one month. His work has been exhibited at House Conspiracy, Brisbane, Australia; Center for Innovative Media, Rijeka, Croatia; KL8, Brussels, Belgium; Akademie Schloss Solitude, Stuttgart, Germany; and Jupiter, Hamburg, Germany.