CN Lester recounts personal experiences of gender non-conformance, visibility and invisibility, in relatiosnhip to an anonymously authored 1880 photograph
Gelare Khoshgozaran considers the figure of the jinn as the temporal embodiment of human desires and emotions in Morehshin Allahyari's work She Who Sees the Unknown: Ya’jooj Ma’jooj
Imperial Courts by Dana Lixenberg is a voluminous and intricate body of work concerned, at its root, with the constancy of community among the black and brown residents of a
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This text was commissioned in response to the first major UK solo installation by acclaimed Brazilian artist Rosângela Rennó , held at The Photographers' Gallery February – April 2016
