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Deer browse-line (various species) from the series A Certain Movement by Sam Laughlin

Sam Laughlin

A portfolio of images by Sam Laughlin entitled A Certain Movement

SJ Fowler, A Last Day at the Museum of Futures

A Few Words

An exploration of the intersections between poetry and photography by writer and artist Steven J Fowler

Laura Letinsky, Untitled #18, 2011

Notes on Laura Letinsky and Lightness

This essay was commissioned and published during the exhibition Laura Letinsky: Ill Form and Void Full, held at The Photographers' Gallery between 18 Jan – 17 April 2013.

Femme en habit d’homme, ferrotype, États-Unis, circa 1880.

Being Seen

CN Lester recounts personal experiences of gender non-conformance, visibility and invisibility, in relatiosnhip to an anonymously authored 1880 photograph

Morehshin Allahyari, She Who Sees the Unknown: Ya’jooj Ma’jooj (video still), 2017

To Know the Beast Intimately

Gelare Khoshgozaran considers the figure of the jinn as the temporal embodiment of human desires and emotions in Morehshin Allahyari's work She Who Sees the Unknown: Ya’jooj Ma’jooj

Geraldo de Barros, Untitled, Tyrol, Austria, 1951

What Remains

Geraldo de Barros concentrated on photography within two periods of time, each resulting in a significant body of work.