CN Lester recounts personal experiences of gender non-conformance, visibility and invisibility, in relatiosnhip to an anonymously authored 1880 photograph
Gelare Khoshgozaran considers the figure of the jinn as the temporal embodiment of human desires and emotions in Morehshin Allahyari's work She Who Sees the Unknown: Ya’jooj Ma’jooj
Daniel C. Blight considers photography's interactions with the genre of the essay, asking questions of style, idiolect and the politics of communication
