Collecting Social Media
The second in a series of three events exploring new approaches to documentation both inside and outside the museum - Between Camera & Network: Art and Documentation in Post-Photographic Culture.
Natalie Kane is a curator, writer and researcher specialising in digital design, art and technology. She is presently Curator of Digital Design at the Victoria and Albert Museum (UK) within the Design, Architecture and Digital Department.
Anni Wallenius works as Chief Collections Curator at The Finnish Museum of Photography in Helsinki, Finland. Her background lies in art history and museology. From 2017-2020 she was part of #collectingsocialphoto, a research project hosted by Nordiska museet exploring the challenges for museums and archives in collecting social digital photography.
With and Without Walls: Photographic Reproduction and the Art Museum
Thursday 4 March, 18.00 GMT
Michelle Henning & Ben St. John
Collecting Social Media
Thursday 11 March, 18.00 GMT
Natalie Kane & Anni Wallenius
Documenting the Ruins of the Web
Thursday 18 March, 18.00 GMT
Olia Lialina & Ofri Cnaani
Part of 'Between Camera & Network: Art and Documentation in Post-Photographic Culture'
A series of events exploring new approaches to documentation both inside and outside the museum.
From the Google Art Project to the screenshot, from the JPG to the Gigapixel image, photographic technologies continue to mediate our experience of art and culture. Between Camera & Network: Art and Documentation in Post-Photographic Culture is a series of talks at The Photographers’ Gallery over three weeks in March involving artists, curators, photographers, conservators, educators, technologists and museum professionals. Each talk explores a different aspect of the changing role of photography in art and digital culture, focusing on a range of approaches to documentation both inside and outside the museum.
The programme presents a series of case studies which reflect on the work of art in an age of photographic hyper-circulation. At a time where art selfies mix with installation shots on Instagram, how are practices of audience documentation changing the status and meaning of art? How can institutions engage with this expanded field of documentation, and what are the implications for art history and cultural memory? How is the pandemic changing the cultural value of documentation? How do contemporary practices of photographic reproduction intersect with critical discourses of authorship, ethics and control in new media platforms?
Between Camera & Network: Art and Documentation in Post-Photographic Culture forms part of Documenting Digital Art, an AHRC funded research project and partnership between University of Exeter, London South Bank University, Australian National University, LIMA (Amsterdam) and The Photographers’ Gallery, London.
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