2024 at The Photographers' Gallery

Looking ahead to another great year of photography with our programme of what's coming up at The Photographers' Gallery

Colour photograph of a person laying down in a garden wearing a pink dress and surrounded by wild flowers

2024 at The Photographers' Gallery

Looking ahead to another great year of photography with our programme of what's coming up at The Photographers' Gallery

Colour photograph of a young person sitting in a chair in the garden

Siân Davey: The Garden

Until 29 November 2024

“Everyone has a place in our garden.” Siân Davey.

Right outside the Gallery, in Soho Photography Quarter, explore The Garden by British photographer Siân Davey. Together with her son, the artist transformed an abandoned back garden to welcome native flowers and biodiversity along with the community that she captured in deeply poetic images.

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Black and white photograph of a woman at a flower stall with an umbrella behind her

Dorothy Bohm at 100 - Print Sales Gallery exhibition

12 April - 23 June

London-based photographer Dorothy Bohm (Germany 1924 – London 2023) is hailed as a doyenne of British photography. Mostly focussing on fragments of the urban landscape, her work often highlights elements of life that are otherwise overlooked.

All profits from print sales support The Photographers’ Gallery‘s public programme. 

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Colour image of a bed in a room

Livia Foldes: NSFW Venus

Showing until 30 June 

Livia Foldes questions how computers are taught to see and interpret bodies and identities. Showing now on the corner screen in Soho Photography Quarter just outside the Gallery.

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Opening Friday 14 June

Black and white photograph of a group of people standing

Ernest Cole: House of Bondage

14 June - 22 September

Moving into summer we’ll welcome Ernest Cole: House of Bondage to the Gallery. 

This substantial exhibition revisits South-African photographer Ernest Cole’s (1940-1990) ground-breaking project House of Bondage. In 1966 Cole fled South Africa and smuggled out his photographs, settling in New York. House of Bondage was published in 1967 and revealed the brutality and injustice of apartheid to the world. It became one of the most significant photobooks of the twentieth century. 

Exhibition realised in collaboration with Magnum Photos. Curated by Anne-Marie Beckmann and Andrea Holzherr.

Image: Pensive tribesmen, newly recruited to mine labour, awaiting processing and assignment, SouthAfrica, 1960's. © Ernest Cole / Magnum Photos

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Black and white photograph of a woman with a crown of iguanas on her head

Graciela Iturbide

14 June - 22 September

Whether capturing Frida Kahlo's house, wild dogs in India or the Seri people in Mexico's Sonara desert, Mexican photographer Graciela Iturbide (born May 16, 1942) presents the world in black in white - or as she describes it, as "an abstraction of the mind."

Travelling with her camera every day and often living with her subjects for months, Iturbide says that her process is similar to that of a travel photographer, except that she only shoots "what surprises and provokes an emotion that I want to capture."

Image credit: Nuestra Señora de Las Iguanas (Our Lady of the Iguanas), Juchitán, Mexique, 1979. © Graciela Iturbide

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Black and white photograph of two people sitting in an empty cinema embracing with a kiss

Meditations on Love

14 June - 22 September

Consider how love is represented, preserved and remembered through an archive of photobooks, novels and nonfiction works in Meditations on Love curated by the Develop Collective for The Photographers’ Gallery. Develop is part of our youth programme and works to support and commission 18-24 year olds.

The Develop programme is supported by Kusuma Trust and individual contributors.

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Coming soon

Colour photograph of the view behind the counter of a busy fish and chip shop with the woman serving customers looking directly at the camera

By the Seaside - Print Sales Gallery exhibition

28 June – 8 September 

The Print Sales Gallery summer exhibition celebrates the British seaside in all its eccentric splendour, showing works by Rob Ball, Anna Fox, The John Hinde collection, Martin Parr, Simon Roberts, and Luke Stephenson. From the glitzy heydays of the ’60s and ‘70s to the modern phenomenon of ‘staycations’, these photographers capture the quintessential essence of the great British holiday.

Image: Martin Parr, The Last Resort: 1983-85, Ice cream girl, New Brighton, England. © Martin Parr/Magnum Photos.

Colour image of a video still showing a group of people in a performance

Nina Davies

1 July - October

Showing on the corner screen in Soho Photography Quarter. 

Nina Davies works with video, performance, writing and installation to explore current dance phenomena in relation to the wider socio-technical environments they come from. Mixing fiction and non-fiction, she rethinks dances of today as traditional dances of the future.

Black and white photograph of a person in handcuffs surrounded by people and a police officer

Letizia Battaglia

October 2024 – February 2025 

To round off 2024, we’ll be showing the first major UK exhibition of Italian photographer and photojournalist Letizia Battaglia (1935 - 2022). Best known for her work documenting the Sicilian Mafia during the 1970s, 1980s and early 1990s, she used her camera to record the daily terror of organised crime, putting it on the front page. Over her 40-year career she photographed murder victims, processions, religious festivals, wealth and poverty, beauty and decay, in and around Palermo, providing an expansive and intimate view of the iconic Sicilian city. 

In collaboration with Paolo Falcone and the Letizia Battaglia Archive. 

Black and white photocollage featuring a woman wearing elaborate head dress

Deborah Turbeville: Photocollage  

October 2024 – February 2025  

Deborah Turbeville: Photocollage presents the work of a truly innovative, American fashion photographer, Deborah Turbeville (1932-2013), whose female gaze transformed fashion photography. Featuring some of her personal vintage photocollages, in what will be her first solo exhibition in the UK, the exhibition is realised in collaboration with Photo Elysee in Lausanne and the MUUS collection, USA. 

Image: Versailles, from the series Unseen Versailles, 1980 ©Deborah Turbeville/MUUS Collection

Colour photograph of a grid of Ten.8 magazine covers


October 2024 – February 2025

And finishing the year in our archive display we’ll take a look back at Ten.8 - a journal which began in 1979 and provided a forum for West Midlands-based photographers to come together and share images and ideas. When the last edition was published in 1992, Ten.8 had developed into an internationally acclaimed journal. In collaboration with International Curators Forum and the editors of Ten.8 magazine, we’ll look back at the legacy of Ten.8 and its wider influence.

Free digital guide

Explore The Photographers’ Gallery with our free digital guide on Bloomberg Connects, the arts and culture app. 

Colour photograph of three phone screens showing the digital guide

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